PERENNIAL SHADE GARDEN PLANS : GARDEN PLANS


Perennial Shade Garden Plans : Reflective Window Shades



Perennial Shade Garden Plans





perennial shade garden plans






    shade garden
  • Shade gardens are gardens planted and grown in areas with little or no direct sunlight during the day, either under trees or on the shady sides of buildings. Shade gardening presents certain challenges, in part because only certain plants are able to grow in shady conditions.





    perennial
  • Lasting or existing for a long or apparently infinite time; enduring

  • lasting an indefinitely long time; suggesting self-renewal; "perennial happiness"

  • recurring again and again; "perennial efforts to stipulate the requirements"

  • (of a plant) Living for several years

  • lasting three seasons or more; "the common buttercup is a popular perennial plant"

  • (esp. of a problem or difficult situation) Continually occurring





    plans
  • (Plan) This shows the ground plan design, elevation of house, number and size of rooms, kitchen, bathrooms, laundry layout and position of the house on the land.

  • Design or make a plan of (something to be made or built)

  • (401(K)plan) A qualified profit-sharing or thrift plan that allows eligible employees the option of putting moneyinto the plan or receiving the funds as cash.

  • Decide on and arrange in advance

  • Make preparations for an anticipated event or time

  • (plan) A debtor's detailed description of how the debtor proposes to pay creditors' claims over a fixed period of time.











perennial shade garden plans - The Shade




The Shade Garden: Shade-Loving Plants for Year-Round Interest


The Shade Garden: Shade-Loving Plants for Year-Round Interest



Legendary gardener Beth Chatto takes us on an intimate tour of her verdant English woodland garden, explaining how she transformed what was once a barren, derelict site into a lush maze of paths where attention-grabbing plants thrive all year long. Along the way, she offers a wealth of practical information and shows off more than 200 species designed by nature to flourish in dry shade. With an unrivalled knowledge of how to make things grow even in adverse conditions, plus an artist''s eye for color, form, and shape, Chatto helps anyone meet the challenge of turning inhospitable spaces into truly magnificent gardens.










87% (10)





hosta




hosta





This one of larger varieties (not sure which one) ... in my front yard shade garden.

Taken with Samsung M520 and altered in Adobe ImageReady (cropped & altered hue, saturation, brightness and contrast)

Hosta plants are herbaceous perennials. The most natural way to group hosta plants is by leaf-color. The foliage of hosta plants can be blue, gold (yellow), or green. Or sometimes, one will find a pleasing blend, as when there's just enough yellow and green to form chartreuse. In addition to all this variety in color, hosta plants are often variegated.

As if all this weren't enough, the leaves of hostas come in a number of sizes and shapes. Shapes can be elongated (sword-shaped, for instance) or something more rounded (such as those with heart-shaped leaves). In some cases, leaves are flat; in others, concave. Finally, leaf surfaces may be smooth or bubbled (the technical term for this bubbly look is "seersuckered"). Hosta plants also produce flowers, and these, too, exhibit variation, both in color and size.

Hostas are usually treated as shade plants, since the colors of their foliage tend to fade if exposed to too much sun. The gold-leafed types of hosta plants are an exception: they will not attain their maximal golden color without receiving quite a bit of sun. By contrast most green-leafed and blue-leafed hosta plants will lose the rich color of their foliage if they receive too much sun.

Hosta plants are more often grown for their foliage than for their flowers. Such specimens should be grown in partial to full shade. An exception may be made for Hosta 'Plantaginea,' which will bear white flowers that are highly fragrant, if the plant is given sufficient sunlight. In fact, one of the common names for these hosta plants is "fragrant" hosta plants, and their flowers are larger than those of most hosta plants. Hosta 'Plantaginea blooms in late summer.

Fragrant hosta plants can be grown in planting zones 3-9. At maturity fragrant hosta plants will stand 1'-1 1/2' tall with a spread of 1 1/2'-2'. Grow fragrant hosta plants in a sunny area.

Hosta plants with gold leaves should be planted in full sun to bring out their color fully. That color can range from a true gold to a chartreuse, depending on variety, location in the yard, geographical region, etc. Hosta 'Ground Sulphur' stays under 1' tall, with a slightly greater spread. It blooms in lavender, early in the summer. Zones 3-8.

The blue-leafed hosta plants should all be grown in nearly full shade. Hosta 'Blue Moon' has heart-shaped, bluish-green leaves. A small hosta plant, 'Blue Moon' stays under 1' tall, with a slightly greater spread. The flowers are white and come out in late summer. Grow in zones 3-8. Hosta 'Halcyon' gets a bit bigger (14" tall, with a spread of about 2') than 'Blue Moon' and has lilac-blue flowers.

Variegation in hosta plants is manifested in a couple of different ways. Foliage is termed "medio variegated" when the lighter color (white, a lighter green, or yellow) occurs in the center of the leaf. For example, Hosta 'Undulata Variegata' (zones 3-8) is white in the middle and green at the edges. These hosta plants reach 1'-2' in height, by about the same width. They produce a lavender bloom in early summer. Grow in partial to full shade.

By contrast, when the lighter color occurs on the edge of their foliage, hosta plants are said to be "marginally variegated." An example is Hosta 'Patriot,' grown in zones 3-8. Its leaves are green in the center and white on the edges. These hosta plants reach 1'-1 1/2' in height, with a spread of 2'-2 1/2'. Their lavender blooms appear later than do those of Hosta 'Undulata Variegata'. Grow in partial to full shade.

Hostas are commonly planted in rows to form borders in a landscape design. They are reasonably low-maintenance, not least of all because the dense foliage of hostas crowds out much would-be weed growth around them, making hostas an effective groundcover. But don't mistake "low-maintenance" for "no-maintenance&quot..

Care of Hostas

* Hostas need a lot of water, although they also need good drainage.

* Fertilize your hostas. The American Hosta Society states, "The norm seems to be an application of around 10-10-10, three to four times per year." The "10-10-10" referred to is the NPK number.

* After blooming, cut off the scape (the stalk that bears the bloom). Otherwise, nourishment is wasted, travelling to the seed pods (you want it to go, instead, to the crowns of the hostas).

* As the foliage of hostas begins to die back in fall, you should remove it, since leaving it to decay in the planting bed is just an open invitation to slug pests (see below). What do you do with it after removing it? First, inspect it. If the leaves look healthy, compost them. But hostas are susceptible to some diseases. So if the leaves don't look healthy, simply dispose of them.

* Hostas require pr











Pierre Hill Residential Historic District




Pierre Hill Residential Historic District





"Located north of the downtown business district and three blocks west of the State Capitol on a rise overlooking the Missouri River, the Pierre Hill Residential Historic District is the prominent residential district in Pierre. The district is a chronicle of late 19th- and early 20th-century architecture, showcasing homes designed in regional vernacular adaptations of popular architectural styles. The neighborhood also reflects the State and local social and economic trends that shaped it. Adding to Pierre Hill’s historic charm are the numerous shade trees, perennial gardens, hillside grading, unfenced yards, and picturesque retaining walls that make this late 19th- and early 20th-century park-like neighborhood an ideal place to live.

Because Pierre was not settled until 1880 and was largely isolated, architectural styles tended to be adopted much later and remained popular long after the rest of the country had moved on to newer, more popular trends. Most of the homes in the district are bungalows of the Prairie School and Craftsman styles. Many homes are in Late Victorian styles, and Minimal Traditional homes built after World War II are also common. Early 20th -century period revival and Foursquare homes with period revival and Prairie School decorative details can be found throughout the district as well. Most of the homes feature materials typical of central South Dakota during the period including concrete or stone foundations, wood frames, clapboard or stucco, fieldstone retaining walls, and wood or asphalt shingles.

Pierre sits on the bluffs along the Missouri River on a series of natural terraces. A promotional brochure published in 1889 described how it developed, “The business is conducted upon the lower plateaus; on the next are homes, schools, churches, and public buildings; and the higher are reserved for residences more costly and commanding more extended views.” Early deeds for the higher lots intended for the city’s more costly residences often included covenants restricting land use and requiring the planting and maintenance of trees.


During the 1890s, people began to build homes on the highest terrace view lots in the district. Early residents were members of Pierre’s business and professional class. The majority of the district’s Late Victorian type homes, influenced by the Queen Anne and other picturesque styles, date from this first phase of building. The Hinsey House at 337 North Grand Avenue is an example of Queen Anne architecture. The district also contains homes in late 19th-century revival styles. Notable from the district’s early years is the Burton Cummins House, a grand Colonial Revival home with an elaborate wrap-around porch and widow’s walk at 503 North Euclid Avenue built for banker Burton Cummins and his wife, Clara Belle, in 1895.

Building in the district slowed dramatically after the Panic of 1893, a serious economic depression in the United States, and did not really begin again until after 1900. Charles Hyde had just moved to Pierre and became the most influential figure credited with the district’s development during this period, as he was for the development of most of the Upper Pierre Street Commercial Historic District. His son, Franklin, manager for the Hyde Holding Corporation, and his wife Enid purchased their home, the L.L. Schaff House, a side gable Craftsman bungalow at 517 North Grand Avenue.


From 1900 to 1912, the Pierre Hill District was known as “the Hill.” An address on “the Hill” was a sign of prestige for the city’s business and professional elite, who considered the hill’s location above the city, away from saloons and society’s rougher elements, out of danger of the flooding, and near churches and good schools to be an ideal place to raise a family. Most of the homes from this period are larger and of high style architecture. Victorian forms remained in favor, but decorative detailing moved away from the picturesque and toward the revival styles, with some homes exhibiting an eclectic mixture of the two. The Colonial Revival and Neoclassical styles became a popular statement revealing the social stature of residents.

A.W. Ewert, a Pierre banker, constructed the Neoclassical mansion at 339 North Euclid Avenue from 1905 to 1910. In 1890, Ewart began his career as a cashier at the National Bank of Commerce, where he proved himself as an executive officer and did much to further the interests of the institution. He was mayor of Pierre from 1892 to 1896, with a reputation for directing the city’s affairs scrupulously and with the strictest business principles. He later became a State senator and later State treasurer. He was treasurer of the Rural Credit Department from 1917 to 1927 and was involved in an embezzlement scandal during that era of wide-spread farm foreclosures and bank failures.



Other notable homes from this period are the elaborate Colonial Revival Farr House at 106 East Wynoka Street and the Merrill-Schaf









perennial shade garden plans







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